Among the findings of a joint report by DappRadar and the Blockchain Game Alliance (BGA) is that blockchain gaming has boomed by a massive 2000 percent in a year. This figure directly relates to 52 percent of all blockchain activity.
This Could Be a $10 Billion Year
The first quarter of this year has seen significant statistics out of the crypto gaming industry. With US$2.5 billion in investments poured into the industry already, 2022 is shaping up to be a big year for the advancement of blockchain gaming. Developers are anticipating this number could grow to US$10 billion by the end of the year.
The popularity of play-to-earn (P2E) NFT games on the Ethereum sidechain has played a large role in this growth. According to the report:
The ownership entitled by NFTs, and the underlying financial ecosystem enabled by cryptocurrencies and play-to-earn games, will shift the paradigm from the traditional metaverse that is limited to a virtual, augmented reality.
DappRadar x BGA games report
Animoca Brands and Yuga Labs hold some of the largest deals for the year so far, as blockchain games drew in 1.22 million unique active wallets.
Success Stories in Crypto Gaming Industry
In 2021, blockchain crypto gaming coins soared, with just one week in August witnessing nearly 700 percent growth. This seemed to mark the start of the acceleration in the blockchain gaming industry. Mobile gaming benefits immensely from NFTs, as the notion of adding real-world value to in-game assets became wildly popular.
Later in 2021, Galaxy Interactive – a venture capital firm specialising in gaming start-ups – raised US$325 million with the intention of investing in blue-chip NFTs. At the time it was reported that US$150 million had been allocated to a range of new companies.
The US National Basketball Association (NBA) this week began minting its Ethereum NFT collection of 18,000 assets, imaginatively titled ‘The Association‘.
Each Association NFT represents a real NBA player in this year’s playoffs, with 75 NFTs of each player from the 16 NBA teams participating. NFT traits will evolve over the course of the playoffs based on each player’s actual performance, meaning that the associated number of dunks, blocks, three-pointers, rebounds or assists will change that player’s image. NFT backgrounds and “frames” will also change based on the player’s team’s performance.
NFTs Free But Gas Fees Apply
According to the NBA website, the NFTs will be free to mint but interested collectors will foot the bill for gas fees on Ethereum. That said, the NBA is reserving some assets for holders of NBA Top Shot NFTs, with a maximum of one per wallet.
Fans qualify on a first-come, first-served basis by joining the NBA Discord group and connecting their digital wallet to the initiative’s website. However, the list is already full.
After the presale minting, the NFT art will be revealed on April 22 and viewable on NFT marketplaces such as OpenSea.
Not every basketball fan is impressed by these developments, with some taking the launch team to task on Twitter:
Others claimed The Association NFTs were already “overallocated”:
Has the NFT bubble burst? Though there are sporadic signs of life in the sports sphere, the consensus is that non-fungible fatigue has well and truly set in.
In the same week that the Australian Football League (AFL) cracked down on players dissenting the on-field decisions of umpires, fans of the indigenous code have registered their own disapproval of the league’s recent move into the NFT space.
Star English Premier League team Liverpool FC launched its own NFT collection earlier this month. It was a spectacular failure, with only 6 percent of the offering sold.
Providing further evidence of growing fatigue within the NFT space, AFL supporters have greeted news of the code’s upcoming NFT mint with indifference and derision, if not outright hostility:
A Twitter war of sorts has been declared, with some punters going as far as to express their “embarrassment” on behalf of the AFL’s dalliance with NFTs:
One disgruntled punter accused the “suits” within the AFL of ruining the code:
Too Much, Too Soon?
Perhaps the AFL’s deeper engagement with crypto is happening all too quickly for some supporters of the code. In January this year, the league secured a major sponsorship deal with Crypto.com, worth A$25 million over five years. It’s one of the biggest sponsorships of any kind in Australian sport, eclipsing the AFL’s partnership with major sponsor Toyota, worth A$18.5 million.
Leading Korean car manufacturer Hyundai Motor Company has released a short film announcing its NFT Universe concept. Dubbed ‘Metamobility Universe‘, it will be followed by a collection of 30 NFTs whose profits will be used to fund the project.
Hyundai has partnered with NFT brand Meta Kongz to launch the limited-edition collectibles, with a release date set for April 30:
As per a blog post, the carmaker will be focusing heavily on the NFT community, launching an official website and channels on Discord and Twitter:
The Hyundai NFT universe will extend the Hyundai brand experience, especially with MZ generation, in a completely new way, further reinforcing our commitment to innovation in both the real world and in the metaverse. We are extremely excited to introduce ‘Metamobility’ through our own NFTs and start this journey with Meta Kongz.
Thomas Schemera, global chief marketing officer, Hyundai
Hyundai Drives into the Metaverse
Other car manufacturers have entered the NFT space with only limited collections. But Hyundai is taking a step further by becoming the first (for now) to launch a community-based NFT collection for its own metaverse.
Another renowned German marque, Audi, was ahead of most car manufacturers when it launched a token collection last August in collaboration with decentralised protocol xNFT.
Since the highly anticipated Moonbirds NFT mint launched last weekend, the Ethereum-based collection has seen north of US$200 million in sales. However, the debut project from the PROOF collective seems to be stirring the pot:
Moonbirds has joined the ranks of the Bored Ape Yacht Club and CryptoPunks in near-record time, becoming the top-selling collection with 10,000 pixelated birds raking in sales of approximately US$281 million just days after minting.
But what is it makes these birds so popular?
How’s This for PROOF?
The Moonbirds project is the product of tech entrepreneurs Kevin Rose and Ryan Carson, and is the first project from the PROOF collective, a private NFT community led by the pair. The community consists of 1,000 members including big industry names such as Beeple and Gary Vaynerchuk. Membership of the community grants access to a private Discord chat, collaborations and special events.
However, both the mint and success of this collection are not without controversy. Concerns of rarity snipping – the act of project leaders using insider knowledge to buy rarer NFTs – are circulating. Beyond this, there are complaints of potential raffle manipulation and frustration over the 2.5 ETH minting price:
Only 7,875 NFTs were released by PROOF via an allow list formed through the raffle process. Another 2,000 were free mints for PROOF collective NFT holders. Membership of PROOF can be purchased for just over 97 ETH (about US$300,700).
Mixed Reactions to Other NFT and DeFi Launches
Earlier this month, Star Trek fans were making news for their contempt towards the launch of a Star Trek NFT collection. The launch was considered “tone-deaf” by fans and contrary to the franchise’s spirit – if not directly opposing Star Trek’s values, illustrating that the content of an NFT collection should always suit the intended audience.
One project that has been far better received this month is Opulous. The new blockchain-based music platform has seen the value of its token – OPUL – rocket up 175 percent following the announcement of DeFi staking, S-NFT sales, and CEX listings.
Amazon CEO Andy Jassy has revealed that the e-commerce giant does not have any plans of integrating cryptocurrency payments, though it is considering adding non-fungible tokens (NFTs) to its retail business, according to an interview with CNBC.
While admitting he does not personally own bitcoin or NFTs, Jassy said he was optimistic about the future of cryptocurrencies and NFTs in particular.
On the subject of Amazon’s plans for crypto integration, he said:
We’re not probably close to adding crypto as a payment mechanism in our retail business, but I do believe over time that you’ll see crypto become bigger.
Andy Jassy, CEO, Amazon
Outcomes So Far Fail to Match Intentions
Amazon has in the past spoken of its interest in cryptocurrencies when rumours were circulating that the digital behemoth would be accepting bitcoin as payment by the end of 2021. The possibility of a native token was also a topic of discussion at the time. Amazon even went as far as hiring blockchain experts to expand its reach into DeFi.
Jassy also told CNBC that he expected NFTs would continue to grow significantly and that he could envision a future where Amazon sells NFTs: “I think it’s possible down the road on the platform,” Jassy noted after replacing Jeff Bezos as CEO of Amazon last year. Jassy had previously led Amazon Web Services since its inception last year.
Asked whether he personally owns cryptocurrencies, Jassy disclosed: “I don’t have bitcoin myself.”
CPR has previously identified exploits, among them the infamous hack of OpenSea in October 2021. According to CPR:
CPR identified a security flaw in Rarible, the NFT marketplace with over two million active users. If exploited, the vulnerability would have enabled a threat actor to steal a user’s NFTs and crypto tokens in a single transaction. CPR immediately disclosed findings to Rarible, who acknowledged the security flaw. CPR’s revelations mark the second time that their researchers discovered security flaws in an NFT marketplace. In October 2021, CPR found security issues in OpenSea, the world’s largest NFT marketplace.
Check Point Research
According to CPR, the exploit would have occurred when a malicious NFT within Rarible’s marketplace itself, where users are less suspicious and familiar with submitting transactions, and the exploit would have begun with the victim receiving a link to a malicious NFT who then clicks on it.
Attack Methodology
CPR has provided outlines of the attack methodology:
Victims receive a link to the malicious NFT or browse the marketplace and click on it.
The malicious NFT executes JavaScript code and attempts to send a setApprovalForAll request to the victim.
The victim submits the request and grants full access to the NFTs/crypto tokens to the attacker.
CPR immediately disclosed the findings to Rarible, which has since acknowledged the security flaw and taken action against the attack.
NFT Thefts Rampant
Earlier this year, Crypto News Australia reported a flaw on multibillion-dollar GameFi company Illuvium that caused it to drain its liquidity pools. Had it not done so, the flaw could have ended in billions of dollars lost due to the flaw.
As the NFT market continues to explode, and marketplaces break records every month, we can finally see the benefit of NFTs. For a long time, NFTs were merely a store of value, which owners could only realise when they sold them. But the situation has since changed. As the space continues to develop, NFTs are gaining more utility and providing their owners with funds in many innovative ways.
What Are the Benefits of NFTs?
Non-fungible tokens (NFTs) are unique digital works that can consist of 2D illustrations, videos, pieces of music, or even animations. NFTs, along with blockchain technology, make it possible to verify the ownership history of works, which in turn makes proof of provenance easier to trace. Because NFTs are non-fungible, they cannot be exchanged at equivalency like fungible currencies such as the US dollar, where each dollar has an identical value. Since their inception, NFTs have helped democratise the art market, giving artists the chance to make a profit on the resale of their work – something previously unheard of in the traditional art market.
Many still question whether buying an NFT is worth it since anybody can rip an image or video from Google. To understand the value underlying NFTs, take the Mona Lisa for example. Yes, anybody can buy a poster of the painting, or snap a photo of it with a phone, but only one person (or museum, in this case) can own the original.
NFTs have become so much more than items of mere digital ownership and are now able to help brands create community and additional revenue, with the added benefit of customer relationship management and securing brands at the forefront of the digital landscape. For now, we will only focus on how brands can use NFTs to create community and additional revenue.
Creating Community Through Engagement
NFTs have become much more than just a collectible or a piece of art – they can have ongoing value. Savvy brands are recognising that the most successful and long-term relevant NFTs will be those that have ongoing value and utility. To explain this, we will use the example of the 2022 Australian Open tennis championships (AO).
The AO was the first Grand Slam to enter the Metaverse. The project started out with 6,776 ‘Art Ball NFTs’ that were minted on January 13, selling out in a matter of three hours. Within two hours of selling out, AO Art Ball NFTs were trending at #15 on the NFT marketplace OpenSea rankings, where they flooded the secondary market. This entire process was driven by an enthusiastic 10,500 member-strong AO Discord community.
This just goes to show that NFTs can better connect fans to their favourite teams and brands by offering access to exclusive offers and the ability to earn rewards. Custodial wallets are also fast becoming social passports. In this sense, brands are utilising NFTs to create communities that are excited to share their alignment with digital assets of personal value.
Businesses and brands can take control of their digital assets and should be able to utilise new technologies and drive innovation and client retention. In this way, NFTs can be used by any brand looking to create loyalty, engagement, and a long-term connection with its customers.
Estee Lauder is another prime example of using NFTs to create community and add clients to its customer base. Clinique was the first Estee Lauder brand to offer an NFT in an effort to drive loyalty and add marketing to its top products. But instead of selling NFTs, the brand gave its shoppers who are signed up to its rewards scheme the chance to get free products for 10 years, along with one of three editions of an NFT artwork.
Brands should also consider increasing community in attracting new clients by offering exclusive NFT incentives. By engaging with existing clients as well as attracting new clients, brands can offer NFTs that can unlock any limited resource, such as a discount or a VIP’s time. More on how VIPs’ time can be used to incentivise clients will follow.
Using NFTs to Create New Streams of Revenue
As the NFT space continues to grow, brands are recognising the need to enter the space, but also the added benefit it has to offer – in this case, as a way of creating new streams of income. To illustrate how NFTs can be beneficial in terms of creating new streams of income, we will use Dolce & Gabbana as an example.
Recently, the luxury fashion house announced it had sold out its nine-piece digital collection of NFTs, alongside physical couture items, for a whopping US$6 million. Five pieces from the collection were physical designs by Dolce & Gabbana. Some of the digital assets were accompanied by an opportunity for a custom fitting in D&G’s Milan-based atelier. This is an example of the added benefit of personalising NFTs, in this case ensuring that NFTs hold utility and are no longer just a store of value.
Another luxury brand can also attest that NFTs can create new streams of income. The LVMH company, which owns Moet and Chandon, Dior, Hennessy and Louis Vuitton, released its first NFT collection. Priced at a humble US$226,450, each of the NFTs represented physical and digital ownership of the first and last bottles of Hennessy 8 Cognac, a limited-edition expression from the house. The digital assets were also accompanied by a suite of physical attributes including a commemorative sculpture and a Baccarat-blown and engraved carafe.
Because NFTs offer digital scarcity, brands such as LVMH and Dolce & Gabbana can sell exclusive, limited-edition digital goods. Unlike tangible goods, NFTs can include a smart contract that codes in a royalty percentage designated by the content creator, thereby bringing in additional revenue. As such, subsequent sales or auctions of these digital goods can generate revenue for the original NFT creator, providing an ongoing potential revenue stream each time the item is sold or auctioned off.
In a similar vein to creating new streams of income, NFTs can be used to secure a brand at the forefront of the digital landscape. Last year was truly the year of the NFT, and brands are keen to get in on the action; these brands have been identified as being ahead of the curve and contemporary, rather than being seen as late adopters. In order to create new streams of revenue, some are releasing NFT collectibles or limited editions. Others are building brand loyalty or raising money for a good cause, thereby fostering a good relationship with its fan base. NFTs are being used to raise or boost a brand’s image, tell a story and even reach new audiences. Others are even utilising NFTs for live event ticketing.
How Culture Vault Can Help Brands Achieve Their NFT Goals
Culture Vault (CV), a creative agency that provides brands with NFT creative and business strategy, Metaverse strategy, project management, collaborative partnerships, minting services and sales executions, is able to assist brands with achieving their NFT goals.
NFTs do not merely represent digital assets – Culture Vault can create unique experiences for creators and brands to engage new and existing communities by bridging the gap between the physical and digital realms. Because NFTs are freely exchangeable on the blockchain, they can create a secondary market for limited-edition goods, further expanding the ability to reach additional audiences and bolster revenue streams.
Culture Vault
CV helps brands interested in obtaining the benefits of NFTs by working with emerging and established artists from the digital and traditional cultural worlds – painters, illustrators, musicians, fashion designers, animators and filmmakers – to create, mint, sell and display their work on CV’s Web3 platform.
The passionate team at CV provides crypto-natives and first-time NFT buyers with a one-stop shop for procuring curated digital assets. By minting on the Polygon Network, CV is able to greatly reduce gas fees and mitigate the environmental impact they have on its energy consumption. All CV smart contracts are read by OpenSea and are available for purchase with wrapped Ethereum (WETH).
Choosing CV to co-pilot an NFT journey has many benefits:
The team at CV is made up of both traditional art world experts and Web3 technologists, resulting in an in-depth understanding of both sides of the spectrum.
CV is a curated NFT marketplace and agency, so it works with a network of artists and leading cultural figures from around the world.
The company has Web3 and NFT evangelists at the core of the agency’s ecosystem.
CV only works with brands who deliver premium, value-driven propositions.
CV can create five types of NFT projects including art, Metaverse, Membership and Incentives, collectibles, and redemptions. In terms of art, CV can assist brands to create premium digital assets to build brand awareness, champion creators from a certain demographic or location, and drive revenue. As it stands, the most common use of NFTs is to lock digital art on-chain. With CV, you are providing your audience and customer base with high-quality digital works that they can trade or hold, thereby adding to one’s NFT art collection.
The Metaverse is the new buzzword, and CV wants to ensure that your brand/company is accurately portrayed in both worlds.
NFTs as membership and incentives is an innovative way for a brand’s community to coalesce around its core values. CV can help by offering incentives such as tokens to achieve NFT goals. Naturally, CV is able to assist brands with digital collectibles so as to engage their community in the same way that early trading and gaming cards became valuable assets for keen collectors.
Redemption is another manifestation of using NFTs connected to offline products, as the limited goods do not need to be redeemed – that can happen anytime in the future. Again, because NFTs are exchangeable, collectors could invest in luxury items in the hope of them appreciating in value. However, with the help of CV and NFTs, holders no longer have to take physical delivery of an item and can simply sell their NFTs representing the items on the secondary market to profit from their investment.
In determining the value of any asset, including NFTs, price is arguably the arbiter of truth. What, then, to make of an NFT of Jack Dorsey’s first tweet receiving a highest bid at just a fraction of its asking price?
‘Like the Mona Lisa’
Controversial entrepreneur Sina Estavi purchased Jack Dorsey’s first tweet (below) as an NFT in March 2021 for US$2.9 million. At the time, Estavi defiantly told naysayers:
Last Thursday, he then announced on Twitter that he wished to sell the NFT, and pledged 50 percent of its proceeds (which he thought would exceed US$25 million) to charity:
The auction closed April 13, with just seven total offers ranging from 0.09 ETH (US$277 at current prices) to 0.0019 ETH (almost $6). After opening the auction up again, at the time of writing bids on OpenSea had risen to US$10,882.40. Still, not quite the return on investment expected.
In 2021, brands could casually ride the NFT trend with success, but those late to the party, such as Liverpool Football Club, have encountered firm market resistance. As reported by Crypto News Australia last week, only 6 percent of the “LFC Heroes Club” NFT collection sold, making it one of the more spectacular failures in recent memory.
In the reality television series Survivor, host Jeff Probst utters the immortal words “the tribe has spoken” as castaways are voted off the island. In the context of Dorsey’s tweet, perhaps another tribe has spoken, so to speak.
Taking its first official step into the space, Cricket Australia will launch an official range of NFTs marking some of the most memorable moments in Australian cricket, joining a boom industry which has already recorded US$11.8 billion in trading volume this year.
Cricket lovers globally can now own and trade NFTs of key events in the sport that took place on Australian soil. According to a tweet by Rario, the partnership will “give cricket lovers the opportunity to own a part of the sport they love and indulge in cricket NFT-based games in the Rario metaverse”:
Relive Australian Cricket History
As with all sports memorabilia, the value of NFTs is determined by demand, and there is certainly demand in a cricket-obsessed nation such as Australia. This partnership means that unique, digital versions of moments such as Steve Waugh’s Ashes hundred on the last ball of the day at the Sydney Cricket Ground in 2003, Peter Siddle’s Ashes hat-trick in 2010, and Ellyse Perry’s double century in 2017 will now be available to own and trade.
Fans of the sport are understandably excited by the news:
Environmental Concerns Bowled Out
NFTs have long been criticised for their associated high carbon emissions, but in a joint statement, Rario, CA and the ACA say they are “committed to a partnership that [will see] NFTs produced in a sustainable manner”. The cricket NFTs will make use of the Ethereum side-chain Polygon, which they say “translates to more eco-friendliness and considerably fewer carbon emissions”.
Cricket Australia CEO Nick Hockley said in a statement:
We are excited to step into the metaverse with our partners Rario, BlockTrust and the ACA for this historic deal, which will open up huge opportunities for innovation and fan engagement. The game’s deep connection with its past, the passion of our fans and the appeal of Australian cricketers to a global audience means the incorporation of NFTs is another way that fans can engage and be part of the sport. This is just the start and I have no doubt we will see enormous benefit for fans, players and the sport itself as we build this exciting partnership.
Nick Hockley, CEO, Cricket Australia
Todd Greenberg, CEO of the ACA, issued his own statement:
Once you begin to learn about NFTs you soon understand [that] the engagement possibilities between past and present players [and] fans are huge. We all look forward to bringing this program to life in the coming months with new and innovative concepts.
Todd Greenberg, CEO, Australian Cricketers Association